![]() It was redemptive, too, for Robert Downey Jr. While it went on to spawn a mega-franchise, Iron Man is a perfectly satisfying one-off, presenting a full-circle redemptive arc for Tony Stark – a hero not as darkly brooding as Bruce Wayne, nor as clean-cut as Superman or Peter Parker. On its own terms, it presented a whole new type of superhero origin story – one devoid of literal superpowers, instead focusing on an American industrialist arms dealer turned self-made hero, captured by Middle Eastern terrorists at a time when the Iraq War was still ongoing. Buy now on Amazon.Ģ008These days, Iron Man is remarkable as the starting point of the MCU – the most significant new film series of the 21st Century, a box office behemoth that racked up 23 movies in a span of 12 years. At a time where Burton was focusing on more family-friendly fare like Charlie And The Chocolate Factory, Corpse Bride and Alice In Wonderland (all still imbued with his gothic flair), Sweeney Todd stands as a beautifully brutal addition to his catalogue – a fitting home for Sondheim's stirring songs. Lovett's pies, it's an acquired taste – but full of surprising pleasures, from the late, great Alan Rickman singing tender ditty 'Pretty Women', to Sacha Baron Cohen hamming it up as rival barber Signor Pirelli, all set against a stylised vision of Victoriana. Lovett, respectively, it's a uniquely Burtonian brew, an adaptation that refuses to compromise on the singing or the seriously graphic murders. Recruiting his twin muses of Johnny Depp and Helena Bonham Carter as the Demon Barber and co-conspirator Mrs. Buy now on Amazon.Ģ007Long before the late-2010s cinematic musical revival, Tim Burton brought Stephen Sondheim's throat-slashing show to the big screen – allowing the spook-auteur to indulge both his goriest and most theatrical impulses. In many ways it's a love letter to the iPod itself – a gadget that defined the early 21st Century, marking a shift towards curated playlists over albums, itself near-defunct by the time Baby Driver roared onto the big screen in the streaming era. ![]() As with all of Wright's films, Baby Driver is steeped in a love of genre – a car chase movie indebted to The Driver, a heist movie which lays out careful plans and lets them all go wrong, and a quasi-musical delivered through the eyes of its tune-obsessed hero. Throughout the film, Ansel Elgort's stoic getaway driver meticulously curates his own theme music on a series of iPods, with Wright shooting and editing to the beat – an added technical thrill to the adrenaline-fuelled vehicular action. 2017Edgar Wright never fails to deliver a killer soundtrack – and his heist-thriller Baby Driver is in total thrall to its stack of stellar tunes (courtesy of Jon Spencer Blues Explosion, The Damned, Run The Jewels and more). ![]()
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